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DADGAD tuning

F#7 on guitar

F#7 is a dominant seventh, spelled F#, A#, C# and E. In DADGAD tuning (D2 A2 D3 G3 A3 D4) the easiest shape is xx4342, which sits at fret 2, spans 2 frets and mutes 2 strings. 12 positions for it are shown below, from the nut up to fret 11.

Notes and intervals

NoteF#A#C#E
Interval1P3M5P7m

12 ways to play it

Ordered by how hard they are to fret, easiest first, one per position on the neck. Fret numbers are relative to the position marked beside each grid.

F# dominant seventh, open position, capo 0. Strings from lowest to highest: muted, muted, fret 4 with finger 3, fret 3 with finger 2, fret 4 with finger 4, fret 2 with finger 1. Frets are relative to the capo.3241
xx4342sits at fret 2, spans 2 frets and mutes 2 strings
F# dominant seventh, open position, capo 0. Strings from lowest to highest: fret 4 with finger 4, fret 1, fret 2 with finger 2, fret 3 with finger 3, fret 1, muted. Frets are relative to the capo. Barre at relative fret 1, strings 2 to 5.423
41231xsits at fret 1, needs a barre across 4 strings at fret 1 and mutes 1 string
F# dominant seventh, position 8, capo 0. Strings from lowest to highest: muted, fret 9 with finger 2, fret 8, fret 9 with finger 3, fret 9 with finger 4, fret 8. Frets are relative to the capo. Barre at relative fret 8, strings 3 to 6.8fr234
x98998sits at fret 8, needs a barre across 4 strings at fret 8 and mutes 1 string
F# dominant seventh, position 7, capo 0. Strings from lowest to highest: muted, fret 9 with finger 3, fret 8 with finger 2, fret 9 with finger 4, fret 7 with finger 1, muted. Frets are relative to the capo.7fr3241
x9897xsits at fret 7, spans 2 frets and mutes 2 strings
F# dominant seventh, position 6, capo 0. Strings from lowest to highest: muted, fret 9 with finger 4, fret 8 with finger 3, fret 6 with finger 1, fret 7 with finger 2, muted. Frets are relative to the capo.6fr4312
x9867xsits at fret 6, spans 3 frets and mutes 2 strings
F# dominant seventh, position 4, capo 0. Strings from lowest to highest: fret 4, fret 4, fret 4, fret 6 with finger 2, fret 7 with finger 3, fret 8 with finger 4. Frets are relative to the capo. Barre at relative fret 4, strings 1 to 3.4fr234
444678sits at fret 4 and needs a barre across 3 strings at fret 4
F# dominant seventh, position 3, capo 0. Strings from lowest to highest: muted, muted, fret 4 with finger 2, fret 3 with finger 1, fret 7 with finger 4, fret 4 with finger 3. Frets are relative to the capo.3fr2143
xx4374sits at fret 3, spans 4 frets and mutes 2 strings
F# dominant seventh, position 11, capo 0. Strings from lowest to highest: fret 11, fret 13 with finger 2, fret 11, fret 11, fret 13 with finger 3, fret 14 with finger 4. Frets are relative to the capo. Barre at relative fret 11, strings 1 to 4.11fr234
111311111314sits at fret 11 and needs a barre across 4 strings at fret 11
F# dominant seventh, position 9, capo 0. Strings from lowest to highest: muted, fret 9, fret 11 with finger 2, fret 9, fret 13 with finger 4, fret 11 with finger 3. Frets are relative to the capo. Barre at relative fret 9, strings 2 to 4.9fr243
x91191311sits at fret 9, needs a barre across 3 strings at fret 9 and mutes 1 string
F# dominant seventh, open position, capo 0. Strings from lowest to highest: fret 4 with finger 3, fret 4 with finger 4, fret 2 with finger 1, fret 3 with finger 2, muted, muted. Frets are relative to the capo.3412
4423xxsits at fret 2, spans 2 frets and mutes 2 strings
F# dominant seventh, open position, capo 0. Strings from lowest to highest: muted, muted, fret 2 with finger 1, fret 3 with finger 2, fret 4 with finger 3, fret 4 with finger 4. Frets are relative to the capo.1234
xx2344sits at fret 2, spans 2 frets and mutes 2 strings
F# dominant seventh, open position, capo 0. Strings from lowest to highest: fret 2 with finger 1, fret 4 with finger 3, fret 4 with finger 4, fret 3 with finger 2, muted, muted. Frets are relative to the capo.1342
2443xxsits at fret 2, spans 2 frets and mutes 2 strings

Keys F#7 belongs to

F#7 is diatonic to 8 of the 96 keys this app knows, playing a different role in each.

F#7 in another tuning

Open F#7 in the explorer →